So pleased with my recent co-authored article published by The Institute for Conservation. Very interesting object.
Sheila Hicks (b. 1934, Nebraska), has been working as a Fibre artist for over 50 years. She has explored woven arts in many aspects, pushing the relevance of her work into the realms of fine art, craft, design and architecture.
The enclosed pictures show examples of her solo show ‘The Treaty of Chromatic Zones’ at Sikkema Jenkins & Co,. New York. The exhibition closed the end of November, 2015. I have been introduced to her work in more detail since working in America as a textile conservator. She is a true pioneer of Fibre art and it was fabulous to see her work.
I have been working as a research fellow in costume conservation at the Costume Institute at The Metropolitan Museum of Art since early September. I have been busy surveying the Brooklyn costume collection held at the Costume Institute since 2009. I am researching early synthetics and plastics in the collection to help preserve them for future generations to enjoy.
I love researching modern materials and how they impact textiles from a preservation point of view.